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Laura Bishai (She/her/hers) is the founder of Body Language, a writing project that brings conversations about sex into the open.
Read our interview with Laura here
Seeing Lauren's large unstretched canvas as it hangs in the golden hour light is a poetic experience. As she brings out the canvases one by one and unrolls them, you can tell that she has a story to tell for each and every one. Then the shadows and ripples of the canvas blends in with the scribbles and stains of watercolor, the intensity of golden hour blurring outlines of objects. Also notice how she leaves graphite sketches underneath the paint. They are residues of time, the same way Lauren's paintings are footprints of memories and impressions.
In her work and in her life, Jadie strives to educate, inspire, and uplift others. Her work reflects her passion for fostering human relations and connection, inspired by connections made not only through her pursuit of visual art but through dance and her work as a vocalist and actor. Jadie’s loose, colorful brushstroke places those concepts on canvas, creating warm imagery that links to the divine and human nature as a whole.
Sasha’s paintings are small but mighty. They sometimes look like fictional sculptures dropped onto the vacuum of vibrant color. Other times they’re like a clutter of found objects. In either case, disparate objects disappear in favor of a whole situation of motion and interaction, tinted with Sasha’s faith in the possibility of true harmony.
Amanda Ba (b. 1998) is a painter who lives and works in New York City. She was born in Columbus, Ohio, but spent the first five years of her life with her grandparents in Hefei, China. Diasporic memory is central to her work—vivid paintings that combine personal memory with psychosexual fantasy, featuring figures that challenge a predominantly white Western canon of figural painting. Working closely with queer and post-colonial theory, her interventions in the Cannon do not aim to solely celebrate her cultural identity and its inclusion, but to interrogate its formation.
What if we saw nature not as distinguishable things like trees, mountains, and soil, but as a cloud of influences that surround us? Harkening back to her memories growing up in nature and a personal interest in Ecofeminism, Johanna's method of printmaking is in itself a dialogue with nature. In cyanotypes, the intentional outlines of base drawings intermingle with spontaneous factors like the angle, brightness, and hue of sunlight - even the canvas it is printed on is candidly frayed at the edges. In her other prints also, watercolor-like effects make even the ground appear buoyant.
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